Word: loved
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Dates: during 1920-1929
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...Blayds (1922), is still well and honestly within her 20's. Discerning spectators along the "road" soon realized how lucky they were to see a Portia who was neither an old stager nor an eager young thing with stiff knees and an Eve's apple. Thoroughly feminine in the love scenes, persuasively austere in the court room, highly decorative at all times, the Inescort Portia was a characterization high of spirit, finely and clearly enunciated. After seeing her in Chicago, an astute Jewish criminal lawyer offered Miss Inescort a job on his staff. Another episode of the tour: at Detroit...
...more than $2,000,000 by acting but has not got it now. Famed for her Temperament, her 30 pedigreed Schnauzer dogs, her dramatic manner in conversation, and the way her eyes change color, she said at the time of her divorce from Ted Coy, onetime Yale footballer: "My love affairs, my servants, and the food I eat are not public property." When the Actors' Equity Association accused her of being a contract-breaker she pointed to the fact that she had missed only 18 performances in five years of Rain. She seems smaller off the screen than...
Lady of the Pavements (United Artists). D. W. Griffith's feeling for costume gives a certain conviction to the romantic story of a French count who finds his future wife, a countess, in the arms of another. He then falls in love with Lupe Velez, a cabaret entertainer dressed up and taught fine manners by the countess, who wants to fool her prospective husband. Miss Velez proves she has not lost her energy. Comtesse Jetta Goudal's weak face and sloping shoulders are in the best idiom of the Second Empire. Best shot: Lupe Velez eating when...
...every one, sometimes in a slightly different guise, but always distinguishable for what they are. The reason for this recurrence is obvious; these elements are the ones which interest the public and sell the books, and the author has no choice but to include them. Thus we have the love affair between the two principles, gradually developing and providing the happy ending, the clever sleuth, the shifting of suspicion, and finally the fastening of diabolical guilt upon one totally unsuspected. These form' the background which one expects to encounter when reading a mystery story, and they really have but little...
...Room, there is a real and very satisfying interest in the well-printed book, in typography. There are two causes for this. One is the very fine work some of our modern presses are doing, but the prime cause can be traced directly to Professor Winship's influence, his love for the work, his energy, and his never-failing courtesy in answering questions and displaying the treasures the University has placed in his care...