Word: loved
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Dates: during 1930-1939
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...dramatic values are irony, sudden reversal, and skilful but not subtle symbolism. An example of each will suffice. The mother, a middle-aged actress, but still extremely attractive; superficial and selfish, but capable of deep love, continues to play lotto after her son, sensitive, talented and aimless, has killed himself, she accepting the doctor's assurance that the sound of the shot came from an explosion in his medicine kit. The same mother and son, in traditional Russian fashion curse each other for their respective faults and then fall weeping into each other's arms. A sea gull killed...
There are several other important characters, and all are caught in the same web of failure and unrequited love. All are also well acted. The illustrious team play the actress and author, showing their usual excellence. Richard Whorf and Uta Hagen are good in the other two leading roles, but perhaps the young man is rendered too grufily...
...close some of the doors. Hope of Heaven has as much violence and as much hard drinking as his earlier books. It has a typical O'Hara hero-a 35-year-old Hollywood writer who sports $35 shoes, $7.50 socks, a $2,200 automobile, and who is in love with a brisk little bookstore clerk. It has its murder, its two ambiguous strangers, its undercurrent of tension accompanying commonplace scenes like luncheons and parties. But all consequential happenings seem to take place off stage. Readers are told a good deal about the intoxications of Jim Malloy and Peggy Henderson...
Bolles, Haines, Love Are Awake...
...Crimson Coaches Tom Boles, Bert Haines, and Harvey Love are not asleep on the job. They have the material down at the Newell Boat House this year and the coaches are making the most...