Word: loved
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Dates: during 1940-1949
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...again is Southern woman sore beset, hounded by desire and hobbled by gentility, and wrecked not so much by passion as by the attempt to give it a prettier name, to deny its carnal nature. Alma Winemiller (Margaret Phillips) is a minister's repressed, highfalutin daughter, passionately in love with the hell-raising son of the doctor next door. Possibly John Buchanan (nicely played by Tod Andrews) would have fallen for Alma had not her ladylike insistences, her chatter about the spiritual side of love, been too much for him. By the time Alma looks sex squarely...
...Love Life (music by Kurt Weill; book & lyrics by Alan Jay Lerner; produced by Cheryl Crawford) can boast the Best of Everything-the producer and the librettist of Brigadoon, the composer of Lady in the Dark, the director of A Streetcar Named Desire, the choreographer of Finian's Rainbow, the leading lady of High Button Shoes, the leading man of Annie Get Your Gun. But whether so many top-notchers are like too many cooks, or whether some of them have slipped a notch or two, Love Life is not really a good show; it is only a show...
...gives itself two chances to win by alternating a tale about the decline of domestic happiness in the U.S. with a succession of vaudeville acts. Between variety turns featuring magicians, quartettes, octets, horrifyingly clever children, crooners and mock madrigal singers, Love Life chronicles the marriage of Sam and Susan Cooper (Ray Middleton & Nanette Fabray) from 1791 to the present. The Coopers are a couple who never grow older, but the Cooper union is one that constantly grows worse. Love Life's argument is that steam, speed, materialism and greed have slowly wrecked connubiality. (It might be retorted that even...
...even with Elia Kazan's helpful direction, Love Life cannot hold to a really bright level, or have any real lure for long. It is always calling time on its own fun to try something else. Furthermore, in illustrating the decline of domestic life, it goes in for some pretty childish and cheesy spoofing. The interpolated vaudeville show is not on the whole a very good show or a very good idea. It does not seem quite consistent that Love Life -which so deplores the modern spirit of commercialism and greed-should itself be the stage equivalent...
...gave it nine of the best years of its life. In Pittsburgh, which he quit last spring after a fight over managerial economies, he was known as a martinet who knew how to command good music. But all these years Fritz Reiner has been hankering for his old love. "A conductor must conduct opera," he says. "His life is not complete unless he does...