Word: loved
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Dates: during 1950-1959
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...picked up the pieces of their old life. Lydia enrolled in a dancing school in 1948, two years later was among the few chosen from hundreds of applicants for the Folies chorus, has been there ever since. Says Lydia: "It's not the Warsaw Opera Ballet, but I love it." Asked where she would pin her Legion ribbon, Lydia answered: "I'll wear it at work only for a State visit to the Folies-which is unlikely...
...album cover is a red sticker emblazoned with the record pitchman's call: "30 Complete Selections on 2 LPs, Regularly $9.98, Special Only $3.98." Inside is a strange mixture of musical candies: Jeanette MacDonald and Nelson Eddy singing Indian Love Call, Arturo Toscanini and the NBC Symphony playing the Prelude to Act III of Lohengrin. Perez Prado, Tommy Dorsey and Perry Como rub grooves with Enrico Caruso, Sergei Rachmaninoff and Leopold Stokowski...
...mental sanitarium up the hill-they come together out of loneliness, are at first trivially autobiographical, then more and more confidingly so. They have a drink with newlyweds, look back on marriage that has come to grief, resist pity and show twinges of self-pity, talk of love and resist sex. The woman, it turns out, has an unfaithful husband; the man has a wife he played a part in driving insane. In the end after they have made love, she goes back to her husband and he has a flicker of hope for his wife...
...literary school is that someone is always cutting class. Novelist Nathalie Sarraute, dean of women of the French school known as the New Realist, inveighs against psychological novels, yet psychologizes in her own works. Her cofounder, Novelist Alain Robbe-Grillet, is an object worshiper who would rather describe a love seat than a love scene; yet this is not consistently reflected in the novels of his disciples. They do have some common characteristics, notably a way of writing in flat tones of a world that is bleak arid joyless, where people lead lives hollow of meaning, sensing dimly-or failing...
JEALOUSY, by Alain Robbe-Grillet (149 pp.; Grove; clothbound, $3.50; paperback, $1.75). The author admires cinema techniques, and his book would make an excellent art-house movie. But like his earlier work, The Voyeur (TIME, Oct. 13, 1958), it is also thoroughly irritating. A prosaic love triangle is established on a remote banana plantation-a planter (the book's nameless narrator), his wife and a neighboring plantation owner. If this were one of Paul Bowles's African novels of sin and sun, the weather would cloud up on cue, providing a timpani accompaniment to the heroine...