Word: loved
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Dates: during 1950-1959
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...long by 20 minutes or so, LIMP goes limp now and then. But even at their most ponderously pornographic, the love scenes are spiced with French wit and spaced with hilarious little episodes. B.B. is not really up to her role, which demands more than the sort of lolitapalooza she invariably plays, but everybody else is excellent. Franco Interlenghi is fierce and touching as the heroine's No. 2 lover. Actress Feuillère, as the wife, subtly interprets a shrewd Frenchwoman who understands what is happening, but cannot make it hurt any less. And Actor Gabin is stonily...
Lawrence wrote Lady Chatterley three times. By the time he was satisfied, the novel contained enough explicit love scenes and enough short Anglo-Saxon words to sate the appetite of the keenest pornographer. But is it pornography? The answer of literary people is no. Lawrence, a fretful neurotic always at war within himself, was a serious writer. But there is another question: Is Lady Chatterley dull and tiresome? This time the answer must...
...story is simple enough. Sir Clifford Chatterley comes back from World War I paralyzed from the waist down. An upper-class snob, he stuns his wife by telling her that she ought to have a child by another man. Connie Chatterley falls in love with Mellors, her husband's gamekeeper, learns for the first time what real sex is all about. Sir Clifford, of course, is incensed at Connie's betrayal of her class. Why make love to a workingman? By this time Sir Clifford is more than half in love with his lady attendant, and the book...
...friend's yacht. When his novel was published, one French critic flatly hailed it as "one of the masterworks of his generation." It is not that, but it is still one of the grimmest stories in some time of man's greed, his search for love, and his search for God. Readers had better take warning. Death in That Garden has its victories, but they are of the spirit. The bodies of its characters are shockingly served...
Flawed and fragile early novels are often like youthful snapshots: a source of faint discomfort to the author, a delight to the doting fan, and a revealing glimpse into the past. Two such novels have now been issued in the U.S., one by Nancy Mitford, the British author (Love in a Cold Climate) who hates Americans, and the other by Christopher Isherwood, the British author (Prater Violet) who became one. The first is worth noting because of the surprisingly naive notions of its adult author, the second because it marks the jumping-off point in a talented young writer...