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Word: loved (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Blues." much slower than the record, Watts occasionally losing the beat, the lyres changed from fifteen to thirteen year-old girl (outrage, like any fashion, ages quickly). They do some slow numbers, a "Prodigal Son." Richard's steel guitar funkier and less evocative than the Rev. Robert Wilkins, and "Love in Vain," a Robert Johnson song, which Jagger, sketching out the Stones' new image, and rushed to keep ahead of mere satyriasis and the universal dope-taker, dedicates to "the minority groups in the audience, the fags and the junkies...

Author: By Joel Haycock, | Title: The flea-bit painted monkey Got Live If You Want It | 12/9/1969 | See Source »

...execution of his own art. The watercolors he does, beautifully presented in the film, are reminiscent of Paul Klec. whom he admires. Anais Nin, a close friend of Miller's who came to the film's showing at Emerson, compared Miller with Fellini in their love for clowns. Both have a great passion for the circus. Fellini once said that if he hadn't become a filmmaker, he would have been a circusmaster...

Author: By Theodore Sedgwick, | Title: The Filmgoer The Henry Miller Odyssey | 12/8/1969 | See Source »

...that would see me through.) However, halfway through the second act, it became somewhat clear that the Eledermans libretto isn't about bats at all. No, it is all about unfaithful husbands, masked balls, hermaphrodite princes, and all the other staples of what we have come to know and love as I ligh Camp. I breathed a proverbial sigh of relief...

Author: By Gregg J. Kilday, | Title: The Operagoer Die Fledermaus at the Agassiz Theatre through December 13 | 12/6/1969 | See Source »

...what is actually being said. While this can and does happen in a conventional Chek-hov production, the difference is that in this production the explosions are never suppressed. We not only feel them but see them. Characters (actors) almost violently grab for each other when they feel love. They growl at each other when they feel hate. They dance and spin when they are happy. The power of the production, ideally, operates on a conscious rather than a sub-conscious level...

Author: By Frank Rich, | Title: The Theatregoer The Three Sisters at the Loeb through Dec. 13 | 12/6/1969 | See Source »

...sounding a rand-held air raid siren in car windows. Another passed from car to car with a rubber chicken in a pot. Suddenly one of the revelers ripped a peace sticker from my bumper and pasted it across my front windshield. A take-off on the jingoism of "love it or leave it," the sticker read "America-save it or screw it." I got out of my car to talk with the prankster and a crowd formed. One over-thirtyish girl said, "Look at his granny glasses" and her companion said, "I'd like to pull every hair...

Author: By Alfred LAWRENCE Toombs, | Title: YALE'S RUBBER CHICKEN | 12/5/1969 | See Source »

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