Word: loved
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Dates: during 1960-1969
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...Love Machine, Susann...
MIDNIGHT COWBOY. With tour tie force performances by Jon Voight and Dustin Hoffman, an improbable love story movingly comes to life...
Rhetoric aside, Agnew did touch on a major phenomenon. It is the strange, pervasive love-hate relationship that Americans seem to have with TV-the force that entertains them, unifies them by making them simultaneous witnesses to great events, and yet also brings them words and images they resent. Most often, of course, they are words and images beyond the control of the distant and suspect networks; they are the inevitable result of social upheaval, of change, or war. But in challenging the qualifications and motives of the TV news commentators and producers, Agnew brought to the surface questions that...
...midtown. we were exulting. The streets were crawling with freaks! Painted cars, beads, all the paraphernalia; smiles, laughter, peace signs, camaraderie. Even the March of Death, staggered and otherwise unimpressive at that hour, was vibrating with our kind of people. As Ferlinghetti might say, the air was alive with love. How could anything go wrong...
...those onto whom they push themselves even less. Nevertheless they act, without reflecting. The most assertive and idealistic of them is Andre Jurieu, the man who flew the Atlantic for a woman. It's significant for the mood and tendency of Rules that earlier in the depths of his love he talked of suicide-an act few of Renoir's characters consider...