Word: loved
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Dates: during 1960-1969
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...sensitive loner types: they know grass isn't addictive: they're nice to girls: they wouldn't hurt anybody. The bad guys are resentful barbarians, who pick on the good guys for no reason and make stupid jokes ("They look like a bunch of refugees from a gorilla love-in.") Easy Rider's tacked-on message, built to remit all intellectual sins, reminds one in its ludicrousness of Hollywood's concept of the "anti-war" film. Inevitably these films will conclude with a ringing condemnation of war; but that conclusion is undermined by the horrifying argument that has gone before...
...Byrds, Dylan, Jimi Hendrix et al are employed as a musical landscape, part of the backdrop of the youth subculture, but hardly integral or necessary. Hopper doesn't explore or celebrate rock the way that Peter Whitchead did with the Pink Floyd in Tonight Let's All Make Love in London or as Robert Nelson did in The Grateful Dead: rather he sticks it in and lets it lay there, guaranteeing large audiences...
...Wild Angels-in which Fonda also starred-from Kenneth Anger's incantatory Scorpio Rising ) matches the groaning ferocity of Steppenwolf's lyrics ("Get the motor running/Shoot out on the highway / Looking for adventure / And whatever comes our way / Hey darling gonna make it happen / Take the world in a love embrace / Fire all of our guns at once and explode into space") and these disjunct moods clash to disengage the viewer. And isn't there something obscene in playing Jimi Hendrix's "If 6 was 9" while Wyatt and Billy shoot past the shacks of the Deep South's black...
...think is good but that hasn't made it yet," he says, "I put it on a bill with the Who or the Jefferson Airplane. This approach to my business has gotten me a good reputation nationwide, but here in San Francisco the kids say: 'We love the music and we love the Fillmore, but we hate Graham because he's a f-ing capitalist...
...hours and hours of their lives. But suppose one is young and knows one's death is imminent? The idea that animated Director Vittorio De Sica in making A Place for Lovers was to find the one life imperative that possesses the force of death. That imperative is love - life at its most vibrant intensity...