Word: loved
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Dates: during 1970-1979
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...lack of structure and amorphous aspirations to write love songs do not sustain this album. Hubbard traces some of her roots back to Tchaikovsky, and she has clearly picked up the less desirable traits of the late 19th century romantics from her years of classical training. Her piano style is heavy-handed, unsubtle and flashy. She alternates booming chords organized in the most predictable of charts, with grandiose runs up and down the keyboard which sound like pallid attempts to imitate Keith Jarret's flourishes. The arrangements do nothing to cover for Hubgaucheries. To evoke Arabia, Hubbard gives us Bedouin...
...tune called "Rose Coloured Lights." Like everything else on the album, it slides neatly in one ear and just as neatly oozes out the other. The proposed image was, as Hubbard notes, of "a yacht in the Mediterranean. Leaning over a rail at night thinking. The whole spectrum of love: the champagne of c'est la vie in a million stories...
...final section, a long chain of cathartic crises, is contrived. Still, Phil Daniels, as Jimmy, is both appealingly quirky and a good double for Who Guitarist Pete Townshend. Daniels also has two funny and touching sex scenes. When Jimmy masturbates solemnly at home and later makes inexperienced love to a prized "bird" (Leslie Ash), the film persuasively demonstrates that even the revolutions of the '60s did not overturn the crucial rituals of postadolescence. In those moments, Quadrophenia offers not only historical drama but also the kind of human drama that is timeless. -Frank Rich
This is not to say that Douglas is an unappealing actor or that Susan Anspach, his long-suffering spouse, does not have some good moments playing a lady who knows better than to love him but cannot help herself. As a director, Steven Hilliard Stern does some nice, gritty road and street work. It is as a writer that he allows too much rigging to show. In both capacities, he tends to veer from the excessively melodramatic to the overly adorable, never finding the steady realistic pace that in movies, and in marathons, makes for a winning - or at least...
...banner might well carry the motto 'Let's You and Him Fight'... We desperately need a contest." That answer doesn't satisfy New York's Lieutenant Governor Mario M. Cuomo, a Carter Seib of the Post supporter. He accuses the press of being "in love with Ted Kennedy" and adds: "Jimmy Carter is a bore, and I think the media cannot tolerate a bore. That's not the way to pick a President...