Word: loved
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Dates: during 1970-1979
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...tarmac to embrace her husband and found she didn't recognize him at all. A fortyish woman, the new wife of a P.O.W., confides: "There are definitely two factions here, the old and the new. You can tell the new wives: young and pretty and happy and in love...
...want people to love and fight for my things just...
...directors ignore the poignancy of their tale. Though the film is set almost entirely in modern Los Angeles, it never gives the audience time to question its fantastic premise or its hopelessly romantic conviction that love can triumph over class differences, physical metamorphoses and even death. It is the first film Beatty has produced with a happy ending, and, as he says, "Let's face it, what makes you feel good about the movie is that it says you're not going...
Through two acts the three pursue their various crazes, ending up with confessions of love and a seeming return to the gruff status--quo of the father--dominated household. Along the way, Gilroy would have us believe, they all learn a lot about each other and begin to appreciate each other more. How this play ever won anything, much less a Pulitzer, is beyond us; it must have been a bad year...
Ernest Hemingway had a character in The Sun Also Rises ask the hero, Jake Barnes, for irony and pity, irony and pity." Jake Barnes couldn't fill that request, but Mick Jagger does. This album is concerned with sex, love, dreams and survival. The greatest works of art are nearly always probing these themes, and Jagger's lyrics are honest because in their irony and pity they reflect the ambiguities that color these themes in reality. The Stones' music once again is as relentless and streamlined a vehicle for Jagger's visions as it was in 1972. Now the problem...