Word: loved
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Dates: during 1970-1979
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...Annie Hall, Allen combines the zaniness of the cut-and-paste technique he used in Love and Death with an integrated story line, as in Sleeper and Play It Again, Sam. The film works through a double set of flashbacks. Beginning with Allen monologuing about his view of life, it jumps back and forth between scenes of Singer's childhood and immaturity, and the depiction of his relationship with Annie. Annie Hall has its share of typical Woody Allen humor--of New York, psychoanalysis and sex jokes--but between laughs, it contains his most complete statement so far about what...
...fended off with a barbed wire fence. Instead of Satan, SIN features a lithe delinquent called Ssss, who is bad in a soulful rather than a derogatory way. When man's ancestor decides that a maid is more desirable than a mate, the first woman indulges in an illicit love affair with Ssss, multiplying and acquiring the name of Evil (presumably the derivation of Eve) as a result. In short, the situation in paradise runs refreshingly amok for a while. So it's sort of disappointing when propriety quashes revisionism, becoming one of the foundations of society after...
...room lottery helped Mulqueeny change his mind about the House. "I love it. I didn't know I'd have a single, I didn't know there would be co-ed bathrooms or that I'd be right over Vinnie's Grill," he says...
Olga and Masha urge Irina to accept a proposal of marriage from an oddly self-mocking anti-hero named Baron Tusenbach (Austin Pendleton). Though Irina does not love him, she does deeply respect him and reluctantly agrees. But Irina is besieged by another suitor, a man as menacing as a bayonet thrust, Staff Captain Solyony (Rene Au-berjonois), who is romantically desperate for her love. Solyony challenges the baron to a duel, and all dreams end with a pistol shot...
...highest distinction. Rosemary Harris could mesmerize an audience by reciting the multiplication table. Tovah Feldshuh is a steel butterfly, a young actress of electrifying presence and promise. As Masha, Ellen Burstyn lacks some consuming sensual hunger, but her parting embrace with Vershinin is a silent, agonized howl of lost love...