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Word: loved (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...almost 18th century fashion by combining great distinction in scientific inquiry and in the moral arena. The second figure who has steadily, over a long and distinguished career, held up to our people a spectacle of greatness is Archibald MacLeish. He has inspired generations of Americans to a love of literature and of philosophy...

Author: /time Magazine | Title: Special Section: Who Are the Nation's Leaders Today? | 8/6/1979 | See Source »

BILLY GRAHAM, evangelist: I believe that the living American leaders who continue, year after year, to do the most to change things for the better are the countless mothers and fathers who have committed themselves to love and to train the next generation...

Author: /time Magazine | Title: Special Section: Who Are the Nation's Leaders Today? | 8/6/1979 | See Source »

...Monet at Giverny"). Named director of the Met in May 1978, de Montebello plans to downplay the role of special events and make the museum's treasures more routinely accessible. Says he: "I want people to get used to the idea of dropping in to see familiar objects they love...

Author: /time Magazine | Title: Special Section: 50 Faces for America's Future | 8/6/1979 | See Source »

Contrasting with the destructiveness of the enemy is the continuing pattern of the boy's life in the village: love, game-playing, and laughter go on. The boy, for instance, makes elaborate seashell mosaics on the beach (though, ultimately, he knows, they will be washed away), and falls in love with his neighbor Angelica, though she too, dies. Submerged beneath the gnawing pangs of hunger in his body are the cries of his head and heart...

Author: By Kim Bendheim, | Title: Outlasting Death | 8/3/1979 | See Source »

...only other thing worth mentioning about Dracula--aside from the terrible Latex, greasepaint and collodion jobs on a few of the vampires, and the turn-of-the century, tradition vs. modernism theme Badham and Richter apparently tried to concoct in the visuals--is the great love scene that stopped the show on Broadway. As Dracula and Lucy begin to embrace, their figures dissolve into multi-colored silhouettes and recede into the distance, whereupon a bunch of shapely limbs wind and unwind to John Williams' less than austere music. The whole thing is modeled on the title sequences in the Bond...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

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