Word: loved
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Dates: during 1990-1999
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...album begins with the first single, "Sexx Laws." Too twangy and lacking the electricity and, ironically, sexiness of much of the rest of the album, it is followed by the anthemic "Nicotine & Gravy." "I think we're going crazy/Things don't even faze me...Love the way she plays me" goes the chorus, and so goes the album, rambunctiously rhyming away the contradiction of every postmodern fiction. From this point on, the first half of Midnite Vultures maintains its energy with some of Beck's best ever lyrics supported by beats indebted, impressively, to both hip-hop and techno...
...little thin and is more exciting as an artistic maneuver on Beck's part than as a long-term fixture in a CD-changer. It's the most straightforward (and final) track, in fact, that will probably become Midnite Vulture's best-remembered track. "Debra" is a funk-love send-up; its proto-cheesy sound is so robust that all irony melts away. It's got joy, like the joy Beck had when he was so suddenly confident of "Where It [was] At." The rest of the album approaches the clarity of "Debra," as if Beck is trying on mask...
...rights, Neil Jordan's new film, The End of the Affair, should be dazzling. So many of the pieces are in place--first-rate actors, a great wartime love story, a seasoned director (The Crying Game, Interview with the Vampire). But the inconsistently inspired director falters here, and what should percolate into a fine cinematic brew instead comes out as a disappointingly sludgy ode to what might have been a great work...
...story is simple: In the last months of World War II, photogenic Brits Maurice Bendrix (Ralph Fiennes) and Sarah Miles (Julianne Moore) embark on a torrid love affair. Sarah's husband Henry (Stephen Rea), a virtually impotent workaholic, gradually develops a friendship with handsome novelist Bendrix as the latter becomes increasingly obsessed with the illicit romance. Without warning, Sarah ends the relationship, crushing Bendrix; when we meet him, two years later, his bitterness has not diminished. When a chance meeting with Henry reawakens his barely submerged passion, he hires a private detective to follow his beloved and discover...
...central relationship of the film is similarly troubled. Bendrix and Sarah assure each other (and the viewer) that their relationship is built around a profound love. But we barely even see them chat; the film's only way of investigating the seriousness of the relationship is via the physical act of love--and in this sense, The End of the Affair has love to spare. Rarely in an American film has sex been depicted with such frankness and frequency. Crotches are grabbed, hips are rhythmically thrust and even Ralph's pale, well-formed bottom makes an extended appearance. But something...