Word: loved
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Dates: during 1990-1999
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Only a few songs on To the Teeth fall short of Ani-esque brilliance. "Freakshow" begins its study of the circus with grinding guitars and grating vocals, yet concludes that the Big Top is essentially all about "love and compliance." There seems to be some sort of grand metaphor here, but DiFranco never clues us in. It's easy to skip over a song that squeals "And some of the clowns are happy/And some of the clowns are sad." Whatever you say, Ani. Many listeners may be confused and unsettled by the juxtaposition of extended clown analogies with aching accusations...
...that rather than Mather House, Joe resides in the brick house tucked in the corner of the Yard, his superior dedication to PBHA has not gone unnoticed. Dean Judith Kidd, Assistant Dean for Public Service and Director of Phillips Brooks House marvels at Joe's ability to balance his love for actual service itself with an understanding of the larger picture...
While Joe shifted uncomfortably in his chair when I grilled him on his "leadership" role, a content smile spread across his face when he avidly began describing these little sibs. The genuine care and love he feels for them was immediately evident...
...been playing since the age of three, and is having her first commercial recording released at the age of 21, she exhibits none of the qualities usually associated with the young and the talented. Throughout the interview, she maintainws a refreshing outlook, describing her gratitude to her parents, her love for music, her hatred for competition and her desire to maintain her identity as a person outside of her musical life...
...What's more, the violinist has nothing but praise for her experience at Harvard. "I love it here. People here are so amazing, so diverse, it floors me, and that's what I wanted to be around...