Word: loved
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Dates: during 1990-1999
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...loft of Rumpus Toys in New York City. Stick your hand down the throat of a plush Gus Gutz and remove his stuffed organs. Toy companies are supposed to be like this--creative places where adults dream up wacky stuff for kids. "I make the kinds of toys I love to play with," explains the 29-year-old founder, Laurence Schwarz, standing next to a showroom of Harry Hairballs, a cat whose stomach contains fish bones, slippers and hair balls. "We don't put this stuff through focus groups or watch kids play with it behind glass. This is from...
...them). Most are post-Ellen additions, and they are no longer limited to bit roles and punch lines (though TNT dropped a stereotypically gay "character" from World Championship Wrestling after receiving complaints about gay bashing). ABC's Oh Grow Up and Wasteland feature gay leads with actual, if tentative, love lives (Ford, a lawyer who's just left his marriage, and Russell, a closeted soap actor). Action has two gay regulars; one is Bobby G., a ruthless studio head whose massive male endowment symbolizes his show-biz power and the hetero fear of gay sexuality (literally striking dumb straight...
Mutchnick, Ball and Williamson are mum on how much of their characters' love lives audiences will see this season, and network execs' willingness to show air kisses among actual gay characters is vague and jittery at best. Weirdly, both Wasteland and Oh Grow Up have sent their gay men on dates with men who turned out to be straight. Williamson says Russell will have an active love life, but Ball and Mutchnick say they're not that interested in entering the bedrooms of their straight or gay characters. True, that's convenient. But in a sense, to focus...
...course, physical love ain't chopped liver, either. Avoiding all one-on-one contact is a lacuna that will become all the more glaring as babes like Will and Ford remain unattached. Even actor McCormack said this summer that he felt Will was ready for an on-air kiss. As Ford tells his estranged wife, "Sooner or later, I'm going to end up naked, in bed, with another man." But when he does, he may be bound by TV's answer to the military's fumbling version of tolerance. Go ahead and ask, and please do tell. Just...
Arthur Miller looked positively giddy as 3,500 Chicagoans stood up and yelled at him. No, it wasn't a riot, but the final curtain call at this month's world premiere of A View from the Bridge, William Bolcom's operatic version of Miller's 1955 play about love and death on the Brooklyn waterfront. The Lyric Opera of Chicago bet big on Bolcom, giving his American-style grand opera a production worthy of Aida, and the horse paid off: View packs the theatrical punch of a double boilermaker...