Word: lovelessness
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Dates: during 1960-1969
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MIDNIGHT COWBOY. A slick package about being lonely and loveless in New York is directed by John Schlesinger in fashion-magazine style, but the acting of Dustin Hoffman and Jon Voight gives the film a sense of poignancy and reality...
MIDNIGHT COWBOY. Jon Voight exchanges his Texas desolation for an even more loveless scene-Manhattan, where he meets Dustin Hoffman, another loner. Their vaulting performances bring to life one of the most unlikely and melancholy love stories in the history of the American film...
MIDNIGHT COWBOY. A Texas drifter and a Bronx loner provide the nucleus of an unusually moving picture about love among the loveless. John Schlesinger (Darling) directs Jon Voight and Dustin Hoffman with a restraint that is often missing from the script...
...poor, pregnant runaway stranded far from home. But 3 Into 2 Won't Go, as the title says, and the ménage à trois quickly proves insupportable. The truth is that even when it was a ménage à deux, the Howards were a loveless, childless couple. At the first signs of offspring, Howard decides to abandon his bed and board to run off with the girl. When Ella's alarm turns out false, so do the marriage, the liaison-and the poses of all the principals...
MIDNIGHT COWBOY. A Texas drifter and a Bronx loner provide the nucleus of an unusual moving picture about love among the loveless. John Schlesinger (Darling) directs Jon Voight and Dustin Hoffman with a restraint that is often missing from the script...