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Although her performance as Girl improves as the play progresses, Strachan struggles initially to capture the love-struck nervousness of her character. During her first encounter with her boss, she misses a comedic opportunity and comes off more awkward than relatable. She seems much more comfortable as the strong, confident character that Girl becomes later. However, because she never quite convinces early on, this transformation is less than satisfying...

Author: By Nicholas D. Cuse, CONTRIBUTING WRITER | Title: Donahue Elevates 'Stairs' to New Heights | 2/9/2010 | See Source »

Modelers created a base mesh, or virtual model of the wolf, and puppeteers imbued the wolves’ nostrils, jaws, teeth, and ears with discreet, virtually-controlled commands so that animators could simulate wolf emotions (fear, submission, aggression, or the fervent yearning of unrequited love). The Tippett Studio invented a “proprietary fur tool” to generate the 4 million hairs on each wolf, and programmed each hair to randomly clump, rotate, vary in color, and simulate the effects of wind and movement...

Author: By Lauren S. Packard, CRIMSON STAFF WRITER | Title: 'New Moon' Panel Unveils CGI Tricks | 2/9/2010 | See Source »

What was he thinking? This seems to be the question that eluded Pierre Morel, director of “From Paris With Love.” With his third feature in ten years, Morel seems intent on creating an aura of mystery for himself. He refuses to answer questions in interviews about his motivations, and when the interviews are conducted in his native French, he does not allow his words to be subtitled for non-French speakers. Though I am loathe to admit it, Morel’s antics intrigue me. As I watched “From Paris With...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: From Paris With Love | 2/9/2010 | See Source »

...some guest vocals and voilá—the songs on “Heligoland” rarely deviate from the template. As a result, it’s sometimes easy for the tracks to fall into a lull or feel stagnant. “Girl I Love You” and “Flat of the Blade,” though solid tracks overall, are prime examples of this kind of stasis, failing to offer any novel interpretation of what Massive Attack have been doing for years...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

...suggested, but never fully realized, by the group’s past albums. On tracks like “Brothers” and “Alley Cats,” layering of multiple voices results in a richness that allows the album’s themes of love and interpersonal connection to delve beyond the simply playful and enter the realm of the emotionally stirring, as with the poetic line, “You painted a song / It started when I was young and now it is in my lungs...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: Hot Chip | 2/9/2010 | See Source »

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