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...Zebra,” the first and arguably best track on the record, the music is dreamlike and catchy, holding the listener under its trance of deep, soothing vocals and repetitive but variant beats. Legrand communicates a sad and disappointed air, while refusing to let her love...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

...sock hop feel of “Silver Soul,” which sounds precisely like the “medicine for heartache” that the lyrics promise. The back-up vocals harmonize furtively but effectively with Legrand’s voice, which itself seems possessed by the love of which she sings. The incredible standard of the songwriting is revealed by the constantly shifting references to an “It,” which appears at the beginning as “a vision, complete illusion,” but later becomes, “a sickness...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

...lyrics have a great internal rhyme scheme—“The face that you saw in the door isn’t looking at you anymore / The name that you call in its place isn’t waiting for your embrace / The world that you love to behold cannot hold you anymore”—and the simple image of walking in the park to forget your heartbreak manages to remain powerful...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

...generally not racist, but being African American will inevitably cause an audience to perceive a character differently, even when the intent of the actor remains the same. As Green says, “We’re going to be faced with, ‘I’d love to do this show but I can’t,’ or, ‘I could totally do that role but I visually cannot...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Code Switch 7 Takes On Race | 2/2/2010 | See Source »

...regression and release. For the first time since 1998’s “A Series of Sneaks,” Daniel applies the same ferocity to his vocals as he does towards his one-chord guitar solos. “I want to show you how I love you, but there’s nothing there / I’m not standing here / Oh I’m not standing here,” he yells on “Written in Reverse,” the album’s bluntest approach to its running themes...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

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