Word: loveli
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...good model for monarchs who don't wish to go quietly. Employing her house blend of sentimentality, determination, pride and genuine emotion, the queen of all media announced that the 25th season of The Oprah Winfrey Show would be her last. "This show has been my life. And I love it enough to know when it's time to say goodbye," she said on her show, a tear brimming from each eye. "Twenty-five years feels right in my bones." Those might be her business bones she's feeling. As network-TV profits, power and growth drain toward the cable...
...Penguin paid $100,000 for the English-language rights to Jiang Rong's Wolf Totem, a coming-of-age tale set in Inner Mongolia. It was a record sum for a Chinese novel. In 2008, the same publishing house issued, amid much brouhaha, Zhu Wen's I Love Dollars, a lively look at the dark side of China's boom. And it has just announced plans to bring more Chinese writers to the attention of international readers by expanding its Beijing operations...
...means, immerse yourself in Wolf Totem (if you don't mind slow-paced tales), I Love Dollars (no caveat there, it's a rollicking read) and other contemporary Chinese works in translation. But if you want to get the most out of them, you'll need to know about The Real Story of Ah-Q. In fact, there's only one thing missing from the collection, and that's a sticker on the front proclaiming READ ME FIRST...
...Ishaan Tharoor for an excellent piece. They clearly have an understanding of the Filipino psyche. TIME should have featured Manny on the cover of all the issues like the Asian edition. Manny Pacquiao epitomizes the Filipino spirit and nature, namely the qualities of determination, resilience, simplicity, humility, generosity, love for family and faith in God. With the quote "Di ako bobo" (I'm not stupid!), I salute Manny for not succumbing to the national inferiority complex that came with the colonial spirit. And as a Filipino expatriate, I salute my countryman for being an example to the world that what...
...purely technical level, the design elements are fantastic, and all of the performances are outstanding. In particular, Jeannette Bayardelle’s Serena is strong, regal, and utterly unforgettable, especially during her show-stopping solo “The Way I Love You.” Diedre Murray’s music is lovely, even if it gets lost in the excess of sung exposition. Regrettably, compelling performances and extraordinary singing cannot carry a show this poorly written...