Word: lovelies
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Dates: during 1960-1969
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...take out girls who would be in the shows, various girls. You get acquainted with them in the show and you get company from one of the girls in the show and you love her until the season close, and then that was about the way it worked out. If the girls in the show weren't available, there were always plenty of girls in the town, the stage door Janes, you know, there were always a bunch of those around, waiting at the stage doors to meet some of the boys out of town. I knew they...
...like to talk about myself very much. I leave that sort of thing up to you guys," Dowling said as he modestly tied his shoe. "I like to think about the team. I love this team; without them I probably couldn't have scored more than 30 points this year...
Here's a message for the worn and haggard, the wretched sleepless legions who play pinball until their thumbs are numb and even that game loses its meaning. Not only does somebody love you people, but they want to talk to you. Tomorrow. In the CRIMSON Supplement, which is something that comes free with the Harvard CRIMSON if you just remember to look...
...Pepperland to musically liberate its inhabitants from the vicious Blue Meanies, serves as an excuse for a collection of visual gags and ideas, and occasionally proves surprisingly moving. The elaborately wrought screenply tends towards puns, but pleasant intellectual exercises on the subject of relativity, time, consumer products, and love are guaranteed to satisfy both your serious Beatlephile and your precocious child. What is good about Yellow Submarine--from the epic literary tradition in which it can be placed, to the immediate impact of the color and the music--is obviously good: you need only sit back and indulge...
...Saxony and raised on Italian opera, is a thoroughly English composer. He arrived in London during the interregnum left by the death of Purcell in 1695 and the first works of Thomas Arne twenty years later. By 1710 Handel had subsumed into his Italianate idiom the brilliant scoring, deep love for the English language, and unpretentious pietism which inform the greatest English music from Byrd, Tallis, and Purcell, to Elgar, Vaughan Williams, and Britten...