Word: lovelies
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Dates: during 1960-1969
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MIDNIGHT COWBOY. A Texas drifter and a Bronx loner provide the nucleus of an unusual moving picture about love among the loveless. John Schlesinger (Darling) directs Jon Voight and Dustin Hoffman with a restraint that is often missing from the script...
...social consequences of conspicuous consumption. Consumption is here equated with destruction (a fundamentally schizoid position--unable to deal with the world, the schizoid individual incorporates it, destroying for him the significance of the outer world and replacing it with a libidinalized inner universe); the Mary's greedy voracity ("I love to eat," says one), stemming from their schizoid positions, fragments their already fragmented lives, and finally destroys them; they, in turn, ravage (through incorporation) the world...
...paranoid's narcisstic beliefs of self-importance are an infantile trait, according to Storr. He is regressing to a childlike level by applying all his love to himself. This is a compensatory move," for he feels himself incapable of receiving love from outside himself, and can only project hostility and aggression...
...literature is unbelievable. And the underground newspapers with their filthy names and titles and want ads. You see, there's no love in this sort of thing. We're just buying sex like you would buy a piece of meat. Eventually this decadence will destroy us, and that's why I'm asking people to commit themselves to a Christ who's teaching love and understanding...
...human irrationality and violence for the same purpose. Fear of extinction, he suggests, combined with the frustrated lust for eternal life, underlies the disturbed behavior that threatens humanity with madness and self-destruction. Had men only "world enough and time," he argues, they could explore the endless varieties of love, work and play. The resulting fulfilled, relaxed race would be safe from itself once...