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Word: lovelies (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...foray. Former California Governor Ronald Reagan, fearful of not winning big enough if he does come in, is petrified that he will not be nominated at all if he stays out. And up in Durham, waiting for the call to marshal the state's Democrats behind their true love, Senator Edward Kennedy, sits the fiercest of New Hampshire's liberals, a female pol with blond hair, sculpted features and the un likely name Dudley Dudley...

Author: /time Magazine | Title: In New Hampshire: Here We Go Again | 3/26/1979 | See Source »

That sense of history lay at the heart of Carter's decision to use the presidential presence as a weight to gently force some concessions from both parties. At the Israeli state dinner the President declared, "We love Israel. But we are not jealous of you. We want you to have other friends...

Author: /time Magazine | Title: THE PRESIDENCY: A Soothing Touch of Realism | 3/26/1979 | See Source »

Gloria Foster not only takes the stage, she rules it. With impassioned grandeur, she drives her lethal lance of love through her son's vulnerable heart. She glories in his martial wounds, she would rather see him dead than have his honor stained...

Author: /time Magazine | Title: Theater: Liquid Fire | 3/26/1979 | See Source »

...with a firm like the fictional Bass and Marshall is the reward for successful grade grubbing at a good law school, which John Jay Osborn Jr. wrote about with wit and feeling in his first novel, The Paper Chase. Hart, the hero of that book, "learned to love the law," an ironic expression of Harvard Law School students. He also learned to hate the way law students stabbed each other to succeed at it. In Osborn's new expose. The Associates, Samuel Weston, fresh from Harvard Law School, shares those passions. In Weston's lofty view, work...

Author: /time Magazine | Title: Books: Law Firm Follies | 3/26/1979 | See Source »

Laboring under the burden of a broken toe, Bellucci nevertheless is eloquent and convincing, especially in the beautifully acted love scenes with Masha. Chris Clemenson takes the awkward character of Tusenbach and fills it out with sympathy and skill. Tusenbach's paeans to labor can easily turn into sermonizing and his devotion to Irina into sickening self-abasement, but Clemenson doesn't self-dramatize the role. He transcends the limiting qualities of the part as Chekhov wrote it to create to subtle portrait of human suffering, weltschmerz...

Author: By Susan D. Chira and Scott A. Rosenberg, S | Title: Unearthing Chekhov's Rhythms | 3/22/1979 | See Source »

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