Word: lovelies
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Dates: during 1970-1979
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...makes the apostle of the American system feel 100 percent secure that he is in the right place, fighting the right fight. It must also account for much of Moynihan's popularity--this propensity for seeing the world in simple black and white--since Tocqueville himself observed that democracies love generalities, and have a hard time contemplating specifics. But it remains a mystery how Moynihan thinks it might ever win over what he should really be concerned about: the hearts and minds of the developing world...
...YEARS AGO, the Boston Women's Health Book Collective, a group of ten women from the Boston area, published Our Bodies, Ourselves, a virtual primer of feminism. Feminism, in the authors' minds, meant looking at men and women as equals and the traditionally "feminine" values--generosity, compassion, love--as important. Buoyed by the success of Bodies, the same group turned this feminist perspective on the business of child rearing; the felicitous result is Ourselves and Our Children...
Betrayal is blessed in its stars. Massey's Robert speaks with a honed intelligence. The presence of Wilton's Emma would warm any flat, and as for Gambon's Jerry, he is a fond slave of love, though perhaps too passive to be a literary agent. Few playgoers can have left The Caretaker and The Homecoming without being viscerally shaken up. Quite a few may leave Betrayal, with its anesthetized passions, feeling vaguely shaken down...
Ruth has done a one-night stand with Wagner in a London hotel and develops a fierce unrequited crush on Milne. She is, it seems, a romantic manquée who cannot recoup in sex what she has lost in love. While Rigg delivers all of Ruth's crisp-edged lines with hilarious asperity the feminine vulnerability of the role eludes her until she hears that Milne ha been machine-gunned to death. Then she rages in grief, waving a newspaper and asking what page in it was worth that price...
Stallone did not give Assante any room to develop the potential conflicts within Lenny--between his desire to make money and his unwillingness to take advantage of Victor, between his need for love and his inability to accept it. Instead we see an awkward transformation of a sensitive and tortured character into an unfeeling money-grubber...