Word: lovelies
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Dates: during 1970-1979
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...treaty on Nov. 19, the first anniversary of Sadat's historic visit to Jerusalem. Some Israeli officials claim now that 98% of the issues to be discussed have already been resolved. Sadat, praising President Carter as a leader "who changed the face of history from bitterness to love and from war to peace," invited his Camp David host to attend the treaty signing. The President immediately accepted, although one of the matters still to be decided is where the event will take place...
Brahms: Four Serious Songs, Two Songs for Alto and Viola, Eight Lieder (Mezzo Janet Baker, Pianist André Previn; Angel). Set to biblical passages about death, suffering and love, Brahms' late songs have a stately quality that Baker's dark, resonant voice conveys perfectly. Her low notes thrill with their sad, serene beauty...
...Rupert Murdoch did not endear himself to the Manhattan publishing establishment when, two years ago, he snapped up the New York Post, New York magazine and the Village Voice, and began remaking the Post according to his own tabloid tastes. Last week the publishers had even less reason to love Murdoch. In a move variously regarded as daring, cynical and even brilliant, the Australian broke ranks with his fellow publishers and made a separate peace with nine striking unions. His Post thus became the first major New York newspaper to hit the streets since it, the Daily News...
From the first gorgeously modeled shot of Billy stripped before his captors to the hazy sequence of him and a friend doing yoga exercises behind bars (so reminiscent of the nude wrestling scene in Women in Love), to the final farewell kiss Billy bestows on yet another mate before his escape, we are in the possession of a perverse romanticism, or should one say romantic perversity? And what can one say about the casting of a young actor named Brad Davis in the leading role...
...women are mother and daughter, and their combat, on which Director Ingmar Bergman casts a dour and perhaps by now somewhat weary Northern eye, is all the more intense and enduring because it is grounded in love. Charlotte, the mother (formidably played by Ingrid Bergman-no relation to Ingmar-in her first Swedish language film in decades), is a concert pianist, acclaimed and prosperous, sailing grandly into late middle age. Eva, the daughter (Liv Ullmann in granny glasses, with a few lines of graceful weathering allowed to be visible on her ineffable forehead), is a church organist, the wife...