Word: lovelies
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Dates: during 1970-1979
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University of Pennsylvania football may join that ignoble fraternity. Winless since Oct. 7, 1978, the Quakers have given new meaning to the term City of Brotherly Love, now a welcome resting place for gridders in search of victories...
INSTEAD UPDIKE plunges us into a scrutiny of the alienated characters. In "Love Song for a Moog Synthesizer," for instance, he binds us in the "spirals of indignation" of a Cub Scout den mother. Throughout the collection of short stories, Updike stalks the problem of human disconnectedness from all imaginable angles, realistically fleshing it out in "Domestic Life in America," abstracting it in his geometric "Problems," sketching a symbolic outline in the opening piece, "Commercial," recasting it as classical tragedy in "Augustine's Concubine." But he refuses to hunt out the solutions in the diseased scenarios. His "maimed and fanatic...
...that simple, Nicks, though passionate, is also remarkably lucid and even-tempered; McVie, though aggressive, is also reserved and aloof. McVie constantly harps on helpless love ("So go and do what you want/I know that you're happy/don't worry baby, I'll be all right/you'll never make me cry) while Nicks is the tidal wave of passion ready to strike the helpless drowner ("Every night you do not come/your softness fades away/did I ever really care that much/is there anything left...
Lyrics have always been less important to Fleetwood Mac than strong melodies and close harmonies. The subject matter of their songs is nearly always the disappointments of love. On Tusk these disappointments are explored in even greater detail than they were in Rumours; virtually every cut deals with lovers leaving or leaving one's lover. Only the final song on the album. "Never Forget," relieves the pervasive gloom; in this otherwise typical song, love finally triumphs: "Come on baby now don't you be cold/just remember that love is gold/could we ever forget tonight...
...SHAME that the title song of Tusk, buried as the second to last song on the album, has been the one getting the most radio play. A strong percussion solo (performed by the University of Southern California Trojan Marching Band) punctuated by shrieks of "Don't say that you love me," it gives an entirely wrong impression of the rest of the album. Listening only to this song, one would think that Fleetwood Mac is finally experimenting with less formulaic, more outrageous and chaotic forms of rock. In fact, Tusk is probably the most tightly polished album the group...