Search Details

Word: lovelies (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Honey, you've taught me the meaning of love...Love means never having to say you're horny...

Author: By Michael A. Calabrese, | Title: Massacre of Valentine's Day | 2/14/1978 | See Source »

...uptight, today is a holiday and I'm just getting into the spirit. Valentine's Day is no Holy Day, so I can't go to church; it is not a political holiday so there is no parade downtown; nothing is for free like on Halloween, not even love, so I'm just gonna stroll on over to the Coop or Store 24 and catch some more jollies looking at Valentine's Day cards. Oh wow, how cruel--I know just the guy to send this one to! Oh my God, is that awful, so suggestive--she'd love...

Author: By Michael A. Calabrese, | Title: Massacre of Valentine's Day | 2/14/1978 | See Source »

...other themes, higher styles. The old pro stayed on his outworn turf producing characters who still dumbly battled circumstance, like cuttlefish trying to redirect the tide. Olive and Mary Anne is the fixture as before. Its five tales are confined to the standard Farrell inventory: lives with insufficient love, the sorrows of gin, childhood wounds carried for a lifetime. Yet the stories cannot be easily dismissed or forgotten. Farrell's approach, like that of his mentor Theodore Dreiser, consists not only of primitive human drama but also of profound human sympathy. In this, his 51st book, the drama...

Author: /time Magazine | Title: Books: Clock Stopper | 2/13/1978 | See Source »

FILMS, NOVELS and poetry start at one place, follow a consistent course to another and hopefully make a point somewhere along the way. Recorded pop music, however, has chronically suffered from a lack of thematic focus--the aural equivalent of short story collections, pop records often veer crazily from love song to drinking song to torch song to instrumental. As often as not, the only factor holding the individual works together--if, indeed, anything does at all--is stylistic, the musical presence of the performer. An overriding theme must, of necessity, go by the boards; the constraints of the medium...

Author: By Bill Barol, | Title: Angst on Wheels | 2/13/1978 | See Source »

From the man who wrote "The Late Show" and "My Opening Farewell,' tripe like this is awfully sad to hear. "Love Need a Heart," a Lowell George composition, is an endless dirge indistinguishable from any nine Linda Ronstadt songs. "You Love the Thunder" is a faceless, mindless rocker in the mold of "Redneck Friend," but lacking the wit. It's a humorless song--and without a sense of humor, upbeat L.A. rock can be terribly dull...

Author: By Bill Barol, | Title: Angst on Wheels | 2/13/1978 | See Source »

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