Word: lovelies
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Dates: during 1990-1999
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...Closer to Heaven," both of which adopt the sharp high hats and deep basslines of trance music. But no matter how much the music pumps, no matter how optimistic the lyrics, Tennant's vocals continue to inject their trademark hopelessness on such pieces as "You Only Tell Me You Love Me When You're Drunk." "I Don't Know What You Want But I Can't Give It Any More," their David Morales-produced first single, brilliantly revisits one of their favorite themes, broken communication. It's a neatly ironic combination: life is bittersweet, perhaps you should dance. The slower...
With a name like Seductions, one might be tempted to think that the trio of plays currently running at The Works Theater in Somerville would make for an evening of romance and poetry. But it doesnt take long to remember that for modern authors, love is every bit as capable of clearing a path of destruction and despair as that other great theme of literature, death. Seductions is less about sexual temptation than it is about power and its abuses. From the stale to the distressing to the absurd, it paints a picture of love not as something divine...
...Lover, the first play of the evening and perhaps the most famous one-act piece by British playwright Harold Pinter, love is little more than an elaborate role-playing game. As a happily average British middle class couple, Barlow Adamson and Marie Larkin move carefully around their disgustingly perfect home (constructed with aggravating blandness--lemon yellow sofa draping and all--by stage designer Jeff Gardiner) pouring drinks for one another and speaking in formal semi-monotones. They love each other, or so they claim, but their marriage is sexless. It is only when they meet in secret during...
...Brodesser speaks with such conviction that Flora's penchant for repetition seems more like a necessary part of her personality than a flaw in the text. By the time she delivers her final monologue, in which she turns her handbag into a child just so she has something to love, it is very hard to listen without wanting to stand up and help...
...defy description. Parkinson's production comes dangerously close to the line between farce and sheer Vaudeville at times. It evokes laughter from the audience, but it is more of the laughter one expects at a play by absurdist writer Christopher Durang than at the drawing-room comedies of Chekov. Love is a social game in Chekov, but under Parkinson's direction it becomes a high-energy romp. It is not the most romantic view of love, for sure, but in comparison to the other plays included in Seductions, it offers the most hope. Love, the message seems...