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Word: lovelornness (lookup in dictionary) (lookup stats)
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...HarvardFML.com spawned the knock off YaleFML.com, it was a only matter of time before the lovelorn bulldogs followed with GoodCrushYale.com (at least they were more creative with the title...

Author: By Barbara B. Depena, CRIMSON STAFF WRITER | Title: Yale Love Connections | 12/18/2009 | See Source »

...raised celebrity profile. He implements a much more pensive, gloomy tone on this album, aiming to speak from the heart rather than the tabloids. Instead of father-daughter relationships and inescapable forces of nature, he sings of bombs, killers, and arson, all of which serve as metaphors for his lovelorn misadventures...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: John Mayer | 11/20/2009 | See Source »

...recent years, Dashboard Confessional has balanced its identity between two disparate sounds: urgent punk—like breakthrough single “Hands Down”—and lovelorn, acoustic balladry, such as the early fan-favorite “Screaming Infidelities.” Carrabba’s newest effort. “Alter the Ending,” strikes a middle ground between these two extremes, but the final product is somewhat inconsistent; “Alter the Ending” excels in the realm of emotional power ballads but also contains a great deal...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

Lily T. Kass ’10, as Ino, Semele’s sister, and Robin W. Reinert ’10, as Cupid, are particularly notable. Kass—decked out in a bright mini-skirt, white tights, and high heels—plays Ino perfectly. Her lovelorn glances and flirtatious advances towards Semele’s betrothed, Athamas (Clare McNamara), provide much of the comic relief throughout Act I. More than just funny, Kass fills the role of the unappreciated lover with darling and panache. During Athamas’ aria about Semele’s insensitivity, for instance...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Semele’ Succeeds in Making Opera Feel Modern | 10/26/2009 | See Source »

...better than its predecessor, further proving that loudness doesn’t preclude tedium. “I Belong to You” is lively enough, but you can’t help but wonder whether Muse’s apocalyptic sound is really suited to such lovelorn lyrical material.This litany of mediocrity is only interrupted by track six, “Unnatural Selection.” With shouted, drunken sports fan-style “hey!”s, and a surging guitar riff, it’s the kind of propulsive tune that could send Muse fans...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Muse | 9/18/2009 | See Source »

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