Word: lovely
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Dates: during 1930-1939
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...Buddy Schutz and trombonist Don Matteson are two of the best. Besides having a marvelous classical background, one of tenor saxman Herby Haymer's joys in life is to work in things like "Hymn to the Sun" in arrangements of "Liza"--also making faces that only a mother could love or a jitterbug appreciate...
...songs will be hits. They may not be as brilliant as "Night and Day," but still they are the tunes you will be humming for the next six months. After some of the filthier lyrics are strained out, the air waves will be carrying "When Love Beckoned," "But in the Morning, No," "Do I Love You?", and "It Was Written in the Stars." But right now, they are only parts of a show which is one of the choicest bits of the fall theatre season...
...drama seem as unreal as a schoolgirl's tiff, the decapitation just a bit of a royal whimsey. Partly this is due to Author Anderson's original conception, partly to the neurotic bounce with which Cinemactress Davis scratches, claws, snarls and romps her way through the repetitious love scenes, mopes and moons through her my-manic depressions. For all her unerring aim with a goblet, the scene in which Bette Davis smashes mirrors because they reflect her homely makeup falls far short of the similar scene in Fire Over England which Flora Robson terminates with her baffled, weary...
...decent meal lest it upset their stomachs. In the evenings the Major solaced himself by playing the flute (he had been "Pipes" at West Point), but never on Mrs. Whistler's Sabbath. Despite Mrs. Whistler's disapproval, Deborah went to balls. Young Jimmie picked up a love of courtly manners...
...this is not the only type of art in the Germanic Museum. It offers us a wide diversity in types of art; we are able to travel from the crisp little sketches by Oberlaender to a decidedly harsh watercolor by George Grosz. In this painting, called "Brotherly Love," there can be found the bloodshed, lust, and intensity of passion which characterizes war. His bright colors shed a distasteful but highly effective glow, and the physical gyrations of his men serve to heighten the wild and futile nature of armed conflict. Grosz never minces words; he seldom argues...