Word: lovely
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Dates: during 1980-1989
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Rabbi Chaim Seidler-Feller, the director of the Hillel Society at the University of California at Los Angeles, described the proposed law change as "contrary to the humanistic, open and tolerant Israel that we love." Natan Sharansky, famous Soviet ex-dissident, said, "Principles were being auctioned off with dizzying dispatch. It was not a pretty sight...
...Becker, Minda Bikman, Robert Braine, Bruce Christopher Carr, Silvia Castaeda Contreras, Barbara Collier, Kenneth Collura, Barbara Dudley Davis, Julia Van Buren Dickey, Osmar Escalona, Dora Fairchild, Evelyn Hannon, Garry Hearne, Nora Jupiter, Judith Kales, Sharon Kapnick, Kevin Kelly, Claire Knopf, Agustin Lamboy, Gyavira Lasana, Jeannine Laverty, Marcia L. Love, Janet L. Lugo, Peter J. McGullam, Sandra Maupin, Anna F. Monardo, Peter K. Niceberg, Linda Parker, Maria A. Paul, Lois Rubenstein, Judy Sandra, Elyse Segelken, Michael Skinner, Terry Stoller, Lamarr Tsufura, Maitena Z. Viani, Jill Ward, Amelia Weiss, William Yusavage...
They perform with a Harlem gospel choir on a version of I Still Haven't Found What I'm Looking For that becomes a bit of casual exaltation ex rock cathedra. They cook up a new song for the great bluesman B.B. King, When Love Comes to Town, and kick out the jams together. They corral Dylan into playing Hammond organ on an extraordinary new tune, Hawkmoon 269, and press him into harmony-singing and lyric-writing service on Love Rescue Me, a high point not only for the band but also for their informal spiritual adviser. The Edge...
...songs deal with images of exile and uneasy spiritual responsibility, most strikingly in the Dylan collaboration: "Many strangers have I met/ On the road to my regret/ Many lost who seek to find themselves in me/ They ask me to reveal/ The very thoughts they would conceal/ Love rescue...
...last tune on Rattle and Hum, All I Want Is You, is a love song full of gentle pleading, hopeful but not necessarily optimistic, which suggests that in their 264 days of touring, some personal relationships were sacrificed, others scarred or put at serious risk. Two hundred sixty-four days is a long time away to be looking for home, and the song, fragile and heartrending, ends the record with unexpected quiet, and intimacy. It is a characteristically bold, even reckless move. Whatever was given up in 1987 remains a mystery, but it is clear, now, what U2 came away...