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GenePartner tested long-term couples' HLA makeup and had them fill out in-depth questionnaires. "We asked them whether they find their relationship passionate, about the quality of intercourse, if it was love at first sight," says co-founder Tamara Brown. With genetic data from 270 couples, the company came up with an algorithm for predicting compatibility based on HLA combinations. "It's something you don't think about when you're choosing a partner," the neurobiologist says. "But it's an important evolutionary principle, to keep the species alive...
Though I do not eat much beef, I love Kate Pickert's article about cow-pooling [June 15]. I grew up on a farm in Arkansas where my sister and I stood on the fence and waved goodbye as the cows were loaded onto the truck to be taken to market, and where my dad once made me and my friends get up at 6 a.m. after a sleepover and dig potatoes. My kids have been growing up in the suburbs, not knowing where food comes from. Now we are growing vegetables in the backyard, and they are helping debone...
...would love to do one on Harriet Tubman. I think maybe one day a slave epic. Apart from Roots, which was on television, I don't think there's been a serious film dealing with slavery in this country. It would need alternative means of finance. It's not something that you could get made through the traditional Hollywood system...
...groaning. Another Woody Allen movie that propagandizes crabby old guys attracting cute young women. This is not a comedy scenario; it's a criminal offense, right? Except that in Whatever Works, Allen has taken his usual ingredients--mismatched pairings, the collision of the bitter and the sweet, an abiding love for Dixieland jazz, classic Hollywood movies and his hometown--and somehow made his freshest film in ages. After four pictures abroad, two of which (Match Point and Vicky Cristina Barcelona) were pretty good, the 73-year-old writer-director has found new vigor and warmth in his old surroundings. Melody...
Having created Margaret as a termagant, screenwriter Pete Chiarelli and director Anne Fletcher put her through a film-length rehab of tough love. You just know that her early nastiness will require a public confession and that if she mentions she can't swim, she will get embarrassingly wet. But through all the creaky scaffolding, one can catch glimpses of the fine comedy this could have been - if only the characters weren't cardboard, the plot not a course in corrective behavior. Reynolds has a gentle, manly appeal, and Bullock, when Margaret cracks into humanity, lets her charm radiate like...