Word: lover
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...that instead of being looked after by professional caretakers, Inti Wara Yassi's animals are cared for by young backpackers, mainly from the U.S. and Europe, who have no prior experience or training. The reserves have become a hot spot on the South American backpacking circuit, offering any animal lover the prospect of being put in charge of a 200-lb. jaguar (including taking it for daily walks on a leash) within 72 hours of arrival. Goodall says it would have been her dream to work there when she was young, but she has some reservations about the youngsters' preparation...
There’s nothing inherently modern about John Eccles “Semele.” Written at the beginning of the 18th century, the Baroque opera narrates an Ancient Greek myth about a mortal protagonist whose jealousy for her divine lover costs her her life. But Harvard Early Music Society’s production of “Semele,” which ran this past weekend at the New College Theatre, manages to spruce up the antiquated setting quite a bit, perhaps predictably arranging the action in America’s own period of mythical free love...
...bright mini-skirt, white tights, and high heels—plays Ino perfectly. Her lovelorn glances and flirtatious advances towards Semele’s betrothed, Athamas (Clare McNamara), provide much of the comic relief throughout Act I. More than just funny, Kass fills the role of the unappreciated lover with darling and panache. During Athamas’ aria about Semele’s insensitivity, for instance, Kass checks her makeup and bats her eyes lovingly. Her attempts are not for naught, as she and Athamas become engaged by the end of the opera...
...plump bulbs of color and shadowy openings they found the swells and inlets of the female body. Or as Paul Rosenfeld put it, "What men have always wanted to know and women to hide, this girl puts forth." Things got only worse after Stieglitz, who would become her lover and then her husband, exhibited his intimate nude photographs of her in 1921, pictures that marked her forever as the pinup girl of the avant-garde...
There is no doubt that Sartre’s original adaptation of the Greek mythology is brilliant. The play tells the story of Orestes and his sister. After an affair between their mother Clytemnestra and her lover Aegisthus results in the death of their father Agamemnon, the siblings avenge him by killing the responsible couple, who had taken over the kingdom of Argos, imposing their guilt upon the people in the form of perpetual mourning and black clothing. Sartre cleverly ties this in with existentialism. The guilt does not belong to the people but they are forced to express...