Word: lover
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...always wanted to tell someone: Dad, this is making me uncomfortable. Favorite childhood toy: Soccer ball, my father’s firearms. Sexiest physical trait: My RAZR, the soaring eagle tattoo across my chest. Favorite part about Harvard: Clifton Dawson. Describe yourself in three words: Scholar, lover, UC vice-presidential candidate. In 15 minutes you are: Trying to make friends. In 15 years you are: Buying friends...
...about to watch the rushes of her big song. (It's the sad, teasing "Je n'ai qu'un Amour c'est Toi," and, in another 100th birthday present, is covered on the new CD by World Musette, a Paris band fronted by the cartoonist Robert Crumb.) Her jealous lover creeps into the projection booth and, from there, shoots her dead. Brooks' face goes lifeless as her screen image lives. And the song ends: "Don't think I'm untrue / My only love is you / Don't be demanding / Be understanding ... / My only love...
...remade The Man Who Knew Too Much. In 1934 Ozu directed an 86-minute silent (the Japanese were late in making the transition to sound) about an aging actor who returns with his theater troupe and his current mistress to his home town, where he reunites with his former lover and their now grown son. Bittersweet misery ensues. In 1959, when Ozu's reserved style was fully formed, he remade the story as two-hour color film photographed by the great Kazuo Miyagawa, the cinematographer of Kurosawa's Rashomon and Kenji Mizoguchi's Ugetsu. The audio commentary on the later...
Savan is both a lover and a loather of pop language, which she defines as “verbal expression that is widely popular and part of popular culture.” She continues, “Beyond that, it’s language that pops out of its surround; conveys more attitude than literal meaning; pulses with a sense of an invisible chorus speaking it, too; and, when properly inflected, pulls attention, and probably consensus, its way.” Her voice in the book is like that of the dieter sitting in front of an ice cream sundae...
Rather, actor Ben Ellison, portraying Hughes in the 1988 film essay “Looking for Langston,” is laying nude in the film’s poster with Matthew Baidoo, who plays Hughes’ lover, James Baldwin. They are intertwined in a seemingly post-coital embrace, an image emblematic of the rest of the art on exhibition at the W. E. B. Du Bois Institute for African and African American Research...