Word: lovering
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Dates: during 1940-1949
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...Cyrano - who is after all the whole show - was a good Cyrano. Jose Ferrer (who has ranged on Broadway from a hilarious Charley's "aunt" to an impressive lago) caught the human being in Cyrano as well as the ham. As the monstrous-nosed, self-sacrificing lover who eloquently poured out his feeling for the beautiful Roxane in another man's behalf, Actor ( Ferrer was often not romantic enough. But as the hot-blooded, proud-plumed Gascon who overworked his sword, he had the right brag and strut; he polished the wit and dug out the humor...
...bare branch that falls into a salt-mine, and when taken out a few months later is so richly coated with sparkling crystals that it appears beautiful beyond belief. Thus the passionate imagination of love renders a loved one beautiful-and, in the process, stimulates the soul of the lover to triumphs of estheticism...
...serious music lover finds little to cheer about these days on the local record scene. Victor and Columbia catalogues are incomplete or inaccurate; lists of many important recordings are missing and fine albums have been out of stock for years. The quality of twelve inch disks, while improved since the war, is still ragged, with imperfect surfaces and edges and gritty tone creeping up all too often. Needless duplication of the Tschaikowsky, Beeethoven, and Brahms symphonies wastes precious material while the lesser known but valuable works of such composers as Mozart, Purcell, and most moderns are sadly neglected. American catalogues...
...Lodge, 42, onetime cinemactor, grandson of famed Henry Cabot Lodge and brother of Massachusetts' Republican candidate for Senator, Henry Cabot Lodge Jr. In the movies, Connecticut's Lodge was elastic enough to play Shirley Temple's father in The Little Colonel and Marlene Dietrich's lover in The Scarlet Empress. He decided in favor of politics while serving overseas with the Navy...
...began over CBS this week (Sun., 5:30 p.m., E.D.S.T.) a series of 15-minute chanson-and-chatter programs. For the first time a coast-to-coast audience could savor the bilingual ambiguities of such Sablon songs as Le Fiacre, the success story of a married woman and her lover. As they are driving about, their coach accidentally runs over the husband, who has been secretly tailing them. The wife looks out, observes: "Splendid, Léon, it's my husband. . . . Give 100 sous to the coachman...