Word: lovering
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...wash clowns, who make “asses” of themselves while under the influence of Wheelgood’s special concoction. Similarly love-poisoned are Dmitri (Lucille Duncan) and Sander (Rebecca Whitehurst), who both fall for Helen (Erin McShane), leaving Sander’s lover Mia (Gordon) all alone. Bestiality, chaos, and disco music ensue. However, the plot is secondary to the primary goal of Paulus’ new approach to theater at the A.R.T.: experience. “I’m interested in how we can really get to the roots of when theater had power...
...Saturday breakfast. Lisa S. Ma ’12, Quincy RR: So how’s your breakfast? LSM: Eh. It’s gonna be pretty much the same everyday. RR: Personal issue here for me... I’m from the South and an admitted grits lover. Even when they had hot breakfast, they never had grits. Do you even know what grits are? LSM: Is that that pink stuff? RR: (Look of horror. Sadly shakes head.) Christine Wu ’12, Adams RR: Being a varsity volleyball player, how have the cutbacks of hot breakfast affected...
...slide into mere linguistic exercises. The thanks for this is due largely to the playfulness of the characters, who speak in slangy “Gliglish” and meet in the self-proclaimed “cemetery of language.” Oliveira’s lover La Maga enters like a light breeze: her intuitive connections to the things around her serve as a foil for the often laughably cerebral shoptalk of the others. “She picked up a leaf from the edge of the sidewalk and spoke to it for a while, moved it along...
...Just after World War II, Crosby gave him one of the first Ampex tape recorders. It helped stoke in Paul the familiar dream of a trailblazing artist: to put on wax the music in his head. What emerged, in 1948, with the two-sided hit "Lover" and "Brazil," was something he called the New Sound. It comprised several tracks of brisk, intricate guitar work meticulously laid on top of one another; if he made a mistake with the final track, he had to start over again. The New Sound, which he refined in a later home studio in Mahwah...
...will, how still my heart,/ How high the moon" - she extends the "high" into a sighing "hiiiiigh," then softens "the moon" into almost a whisper of regret. The diminuendo is a subtle reminder that, for all its drive and bounce, this is a song of longing. Until the lover returns, the moon is just a distant prop for melancholy...