Word: lovering
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There is something like universal agreement on this point: Paris is for lovers. Judging from 2 Days in Paris, the cliché's lone dissident is Julie Delpy, who wrote, directed, stars in, edited and took the stills for the film. She even warbles its end credit song. In her Paris every cab driver is either a sexist pig or a right-wing nut job, the outdoor market seems to feature more ickily butchered animals than it does flowers and vegetables, and the house Delpy's Marion and her American lover Jack (Adam Goldberg) shack up in belongs...
...stereotypes of the pop-culture-obsessed, narrative-driven Americans and the introspective, abstract-minded French. If the names had been switched, you couldn't tell who wrote what. Consider the book's first pairing: a ripped-from-the-headlines story by France's Marie Darrieussecq about a woman whose lover receives a full-face transplant; then an inside-out version by Rick Moody, who retells it from the man's point of view. "One day I woke to find that she was no longer attractive to me," he begins provocatively. Moody also sets up a finish worthy...
...radio. Larking about like a fifth Beatle, he's got a casual swagger that says, This is my town. So does his brutal way with the anorexic goddesses who pose for him. In a shoot with the model Verushka, he shouts insults, whispers endearments, straddles her like a rough lover with his camera clicking away at her simulated passion, then immediately stops and walks away when he has the shots he needs...
...body of work that imposing, that serious, was bound to inspire parody - and did, long before Colbert. Allen, for example, had written a burlesque on The Seventh Seal in The New Yorker. Sometimes whole movies were tongue-in-cheek tributes to Bergman: George Coe and Tony Lover's 1968 American short De Duva (where "water" is the subtitle for the mock-Swedish "aitch-two-oh-ska") and the 1975 Monty Python and the Holy Grail. The spin-offs might be serious, they might be farcical, but all paid tribute to Bergman's unignorable influence...
...time, you know," he said. "I already had a lot of children and a lot of women, and money had to be paid out. A good deal of my filmmaking in earlier days came from lack of money." The movies' greatest "woman's director" was also a great lover and careless discarder of women. Rumor had it that the seven lead actresses in his 1964 comedy All These Women were all former Bergman mistresses...