Word: loves
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
Under the title "Labor of Love," TIME of the April 13 issue refers to Simon and Schuster's "assertation that music publishing is for them ... a labor of love." Neither this nor the other Mr. S. has ever asserted that Essandess publish music as a labor of love. When we published the Schnabel edition of the Beethoven Sonatas in November I bet our sales-manager we'd break even on the venture within 14 months, and at lunch today volunteered to increase that bet. The Godowsky piano arrangements were published in "the same...
...dissertations on the "arts of love" by the Filipinos cannot hide the ugly fact that the hatred of race-conscious Californians against Filipinos is purely from the economic standpoint. Filipino labor competes with white labor...
...Filipinos being "great lovers," there is nothing surprising about that. We Filipinos, however poor, are taught from the cradle up to respect and love our women. That's why our divorce rate is nil compared with the State of which Judge Lazarus is a proud son. If to respect and love womenfolks is savagery, then make the most of it, Judge. We plead guilty...
...recent flood for what seemed to be a cool reception even to Stokowski's dazzling Bach orchestrations, the electrified excerpts from Wagner's Gotterdammerung. But Boston more than made up for Hartford's apathy. In Hartford Stokowski played a Bach encore "because you seem to love Bach so." In Boston he played four encores because Bostonians clamored for them. Gist of Stokowski's speech in Boston was his admiration for Boston's Conductor Sergei Koussevitzky and the Boston Symphony "from which I learned so much when I first came to the United States...
...director for National Broadcasting Co. In his Symphony No. 1 in F, Composer Willson was first mindful of the pioneers who settled the city, then of the Great Fire (i. e. earthquake) with its ruins & ashes, then of "the almost childish delight of a people who have a continental love for artistic pursuits." In his scherzo he quoted from Cara Nome, harking back to the Christmas Eve in 1910 when Luisa Tetrazzini sang it on the square by Lotta's Fountain. In the finale he loudly attempted to glorify modern engineering, the skyscrapers and the great new bridge over...