Word: loves
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Dates: during 1930-1939
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Three of the outstanding numbers are a gastronomic comment on amorous disillusionment, "Love is Like a Pickle in a Barrel," a modern love ballad, "Let's Agree to Disagree," and an original tango written and played on the accordion with the orchestra by tennist David S. Burt '40, entitled "La Camarisita" (The Cute Little Chambermaid...
...Love Affair (RKO Radio). Leo Mc-Carey, who directed this picture, is one of Los Angeles' few major contributions to the cinema industry's personnel. Son of a sports promoter named Thomas ("Uncle Tom") McCarey, he went to U. S. C., studied law, played on the rugby team. After college, Leo McCarey tried work in a San Francisco law office, quit to tour the Orpheum circuit as a boxer, did pick-&-shovel work in Montana mines, returned to Hollywood, where a chance meeting with Director Tod Browning got him into the cinema industry. That...
Difference between a mere director and a producer-director is that a director's ideas about cinemanufacture are subject to discussion, modification, veto by his producer, but a producer-director is edited by no one but himself. In addition to credit for producing and directing Love Affair, McCarey gets credit, with Mildred Cram, for the original story. As close to a one-man show as any $850,000 picture can be, Love Affair is pleasantly free from the assembly-belt characteristics that mar many . Hollywood products. It also exhibits the need for the merciless editing that few directors...
...revealed in Jesus Christ . . . leaves us with no other choice but to refuse to sanction or participate in war. . . . We affirm our faith that the mission of the church today is to witness with singleness of heart, at whatever cost, to the power of good to overcome evil, of love to conquer hatred, of the Cross to shatter the sword...
...Late George Apley. Comparison of the two versions showed that the Post's seven installments accented Brill foibles, heightened the picturesqueness of the story, diluted its satire, toned down the dialogue ("so damn screwy" to "so queer"), cut out Narrator Calder's cynical reflections on love ("all lovers are consummate bores"), on writing popular fiction for the big magazines ("a somewhat ghastly parody on life"), blotted out one character (the narrator's mistress) entirely. All told, Literary Agent Carl Brandt cut about 90,000 words from Wickford Point, before submitting it to the Post...