Word: lovesickness
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...title role. Marjorie Hellmold gives the innocent milkmaid just the right touch of flirtatiousness, and her naivete becomes appealing, not ludicrous. Unfortunately, she, too, suffers from the chorus's conspicuous horsing around. Throughout her first act solo. "I cannot tell what this 'love' may be," the ensemble of "lovesick maidens" is sneaking up on her and trying to strangle her with their tear-stained handkerchieves, only to trip over themselves as she steps out of their path. Hellmold sings sweetly and sincerely, and it is a shame that the chorus should detract from her performance...
...most puzzling examples of excessive direction are the two male leads, the "fleshly poet" Bunthorne and the "idyllic poet" Grosvenor, who inherits the train of lovesick maidens from Bunthorne in the second act. (Audiences at the first performance of "Patience," exactly one hundred years ago today, recognized these two as thinly disguised versions of Oscar Wilde and Algernon Swinburne.) It is an accepted convention in American performances of Gilbert and Sullivan operettas for the singers to imitate a British accent. The convention is not a sacrosant one: as Broadway's current production of The Pirates of Penzance with Linda Ronstadt...
...Europe to dress up his college transcript, stretches his rudimentary French vocabulary into epic malapropisms. Alex (David Marshall Grant), an Oberlin aesthete, takes to reading Hemingway aloud and composing songs with lyrics like "Paris is a teacher who has lessons to give/ How to love, how to live." The lovesick Laura (Blanche Baker) turns sightseeing into a grim obsession by setting out to visit every listing in the Michelin Guide. Of course these students, like so many before them, are not so adept at going native that they can successfully resist an occasional Big Mac attack...
...traced to Jean Vigo, whose Zero for Conduct (1933), made with no professional kids, is still the screen's greatest poem to youthful anarchy. The 400 Blows exerted a strong influence on George Roy Hill, who in 1964 made The World of Henry Orient, which is about two lovesick Manhattan schoolgirls. As Merrie Spaeth and Tippy Walker scrambled across the city, energized but unaffected, they seemed all that could be hoped for in actors...
Klein and his colleagues have found that psychotherapy and the conventional antidepressants are rarely effective with the lovesick. But an 18-month study of ten patients, all women, showed that talk therapy combined with antidepressants called MAO (their chemical initials) inhibitors could shake them out of despair. Indeed, when these women were switched to placebos, five of them showed many of their old symptoms. Now Klein is seeking a $30,000 grant from New York State's Health Research Council for a more detailed, three-year study of the effects of MAO inhibitors on 60 hysteroids. Where will...