Word: loving
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Dates: during 2000-2009
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...with his first TV kids' show in 1953. Supported by puppeteer Clyde Adler and a crew that provided the laughter (Sales rarely worked before a live audience), he adapted the hip lunacy of TV's avant-comic Ernie Kovacs to his own sunny personality, frequently telling his viewers, "I love you and give ya a big kiss." They returned the affection. Lunch with Soupy Sales soon gained converts of all ages and went national in 1959. For a brief spell in the early '60s, he was a prime-time star; Frank Sinatra showed...
...Chalo,” or “World,” continues in a similarly epic fashion, leaving no room for interpretation when it comes to questions about the album’s themes: love, truth, music, and other universals. The topics are sweepingly large, but The Very Best has the musical muscle to match. On the track, Mwamwaya spreads his bracing, multi-tracked vocals across the crisp, rollicking synths of Radioclit that would be equally at home in an ’80s pop hit. The song moves between the peaks of Mwamwaya’s choral cries...
...Mighty Mighty Fall” is a full-fledged country song, a wistful reflection on decline and collapse that evokes Ryan Adams at his most affecting. These out-of-nowhere masterpieces are coupled with enjoyable though less arresting tracks like the opener, “True Love,” where jangling guitars reminiscent of “Reckoning”-era Peter Buck lead into an infectious sing-along melody. The lyrics, as ever, veer for most of the album between the unintelligible and the nonsensical. At its best, however, the Spiral Stairs renders this criticism a minor quibble...
...away from home, they become mortal enemies and join the long dormant war between the good and evil vampire sects: the Vampires and the Vampaneze. Darren casts off his Sperry topsiders in exchange for a red leather jacket, joins the freak show, and meets the inevitable circus love interest. While Darren woos his half-monkey, half-frumpy high-school freakheart, Steve joins the dark side and starts killing former teachers. When their final dramatic confrontation takes place, Steve explains to Darren with comic seriousness that the Vampaneze think he’s “awesome?...
...Willamine” starts strong with Gibbard’s hauntingly high vocals and a lovely, purposeful piano. Disappointingly, though, these rich, heavy piano chords fail to lead into anything more than mere pseudo-romantic whining. With lyrics like “We’re gonna get married / we’re gonna fly away,” the song evidently aspires to be a sweeping ballad of young love, but winds up just sounding more like an anthem of teen angst...