Word: loving
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Dates: during 2010-2019
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...some friends, borrow a camera, borrow whatever and don’t make it fancy, just trial and error. Just make little films. That’s what I’d be doing in my apartment if I wasn’t doing this. Just find what you love and work your...
...secreto de sus ojos” (“The Secret in Their Eyes”) is meant to explore the nature of violence, to question the human passion for the destructive, to honor sacrifice in the name of friendship, and to consider the potential for a love that either cuts across socioeconomic class or “freezes in time.” The film does, in one way or another, include all of these motifs, but it presents them in a way that is so cliché and fragmented that their meaning, for the most part...
...back and forth between 1974 and the present day, as it tells the story of Argentinean formal federal justice agent, Benjamín Espósito (Ricardo Darín) who is haunted by a 25-year old unsolved crime, as well as the lost opportunities in his love life. Benjamín’s quest for closure is put to the test when he decides to write a novel about the rape and murder case that has been on his mind, leading him to revisit his past in every sense of the word...
...director attempts to imbue the movie with mysteries about love, crime, and human nature, and fails utterly. The real mystery is how this movie ended up snatching any accolades at all, let alone the Oscar for Best Foreign Film earlier this year, and the Goya Prize last year—some of the highest in the industry...
...characteristic of the collection as a whole. Paterson’s straightforward rhythms, earnest tones, and candid narratives are equally approachable to poetry novices and veterans alike. Paterson shows a consistently genuine and honest appreciation of ordinary human life. In the title poem, Paterson writes, “I love all films that start with rain... / However bad or overlong / such a film can do no wrong.” Like the images of rain that Paterson admires, his own brand of poetic sincerity, “however bad or overlong” still manages to revitalize forms and subjects...