Word: lovingly
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Dates: during 1960-1969
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...indiscretion depends on time and place, on who knows and who tells, on the prestige-and vulnerability-of the persons involved. Pure caprice is often a factor. What one man gets away with for a lifetime may destroy another overnight. Charles Parnell fell from power because of the honest love of a married woman, while his near-contemporary, David Lloyd George, remained Prime Minister of Great Britain despite many love affairs and several illegitimate children. As his son almost boastfully put it: "He was probably the greatest natural Don Juan in the history of British politics. To portray his life...
...Hopi. But I see it doesn't make any difference." Decked out as a Hopi Indian in headband, feathers and bear-claw necklace, Jean-Paul Belmondo probably created more of a spectacle in Tucson than he would have in Greenwich Village. In the film, Again, a Love Story, with Oscar-winning Director Claude Lelouch (A Man and a Woman), the Hopi bit is just a brief diversion in the adventures of Belmondo and Annie Girardot, who meet and mate as two French tourists motoring across America. "I chose Girardot and Belmondo," said Lelouch, "because they are not really made...
Before then, Harry would have had his headline-war or Armageddon notwithstanding. In Romy's heyday, foreign affairs meant DIPLOMAT FOUND IN LOVE NEST! In recent years, however, Chicago newspapers have expanded their serious coverage of national and international news; now they tend to bury all but the most sensational crime stories in the back pages or, more often, the wastebasket. "Police-beat news," explains one Daily News rewrite man, "is what runs on a dull...
Writer-Director Haskell Wexler, an Oscar winner who has built a reputation for himself as one of Hollywood's best cinematographers (Who's Afraid of Virginia Woolf?, The Loved One), scraped together $600,000 for this low-budget portrait of a country in conflict with itself. He chose Chicago, with its thousands of pent-up blacks and displaced Appalachian whites, as a symbolic seat of the conflict and began shooting last summer in a loose, almost documentary fashion-just as the convention confrontation was reaching a peak of frenzy. The uncomplicated plot turns on the developing love affair...
...situation threatens to involve the TV cameraman, be it an auto accident, an angry group of black militants, or the lingering hopelessness of ghetto life, he retreats behind the shopworn shield of journalistic objectivity, insisting that his only concern is to get the story. The progress of his love affair with the widow parallels the gradual weakening of his own prejudices and defenses, until both are finally trapped in the ultimate cataclysm of the convention's madness...