Word: lovingly
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Dates: during 1980-1989
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...David Jones, first seen surviving the sinking of the Titanic. He meets and marries a beautiful Russian immigrant named Ludmila in New York City, resettles in England, volunteers for the army, is mistakenly reported dead in World War I, and so on. Children are born, grow up, fall in love or lechery...
...JANUARY MAN. Not a conventional whodunit. The mysteries in this spitball comedy are matters of the eccentric heart: How will a New York City fireman (Kevin Kline) win back his ex-girlfriend (Susan Sarandon) or find accommodating love with the mayor's daughter (Mary Elizabeth Mastrantonio) ? John Patrick Shanley, whose luminous script for Moonstruck won an Oscar, scores again here...
...exports cheaper overseas and imported goods more expensive for American shoppers. But U.S. imports just keep on rising. That partly reflects what some economists have begun to call "hysteresis" -- a fancy term for the notion that new habits, like old ones, are hard to break. Americans have learned to love Japanese cars, TVs and videocassette recorders, and are reluctant to give them up, regardless of price...
...Madrid apartment, where he ODs on heroin and dies. What Have I Done to Deserve This?: an illiterate woman has quickie sex with a muscular student in the shower stall of the kendo academy where she scrubs floors. Matador: a beyond-gorgeous woman picks up a stranger, makes violent love, then stabs him to death with her hatpin. Law of Desire: a young stud is directed through some steamy autoeroticism by an unseen older man. Shock the bourgeoisie? The opening scenes in Pedro Almodovar's films seem designed to shock the Borgias. And that's just for appetizers...
Almodovar says his movies are about the "five essential themes: death, liberty, equality, beauty and, of course, love." Scanning Dark Habits (1983), one finds not love but revenge. It is your basic anticlerical Latin comedy: Reform School Girls set in a convent. The film can be seen as Almodovar's payback for a Catholic education "full of hypocrisy -- you can't learn by being terrorized." But the convent's mother superior isn't kidding when she tells the chanteuse, "My only sin is to love you too much," for that is the only sin and salvation of any Almodovar heroine...