Word: lovingly
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Dates: during 1980-1989
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...enduring subspecies. Bluth, a Disney renegade, showed his old masters that the cartoon possessed a social vitality for the '80s. Bluth's The Secret of NIMH was a parable on animal experimentation; An American Tail found much to say, endearingly, about melting-pot prejudice; The Land Before Time found love and death among the dinosaurs. Now Disney and Bluth have launched a welcome new Thanksgiving tradition, each producing a feature cartoon for the rescue of baby-sitters and the beguilement of the child in every moviegoer...
...become part of the forbidden one above. To her father, King Triton of the Mer-people, humans are "spineless, savage, harpooning fish eaters." To Ariel they are skyrockets and sea chanteys and buried treasure -- the thrilling unknown. Then she spies hunky, lonely Prince Eric, and it's impossible love at first sight. For Eric, when he is saved by the mermaid and nursed by her caressing song, it's love at first sound. A cross-species Romeo and Juliet: boy meets gill...
...love Germany so much," wrote the French novelist Francois Mauriac, "that I am glad there are two of them." That phrase is cited with increasing frequency these days, but the sentiment is old. Clemenceau expressed it first as he wistfully reflected on the delicate balance of power nurtured in the 19th century by Austria's Prince Metternich. Since World War II the division of Germany has been central both to the tensions of the cold war and to the stability of the cold peace that accompanied...
After Stieglitz abandoned his family, he and O'Keeffe took up residence in upstate New York. There, before company, he would rise and lead her up the stairs. "We'd say we were going to have a nap," recalled O'Keeffe. "Then we'd make love. Afterwards he would take photographs of me." Stieglitz shot some 300 of those pictures, and they constitute a statement far beyond the pleasure principle. From every angle, the long melancholy face radiates an unconventional beauty; the nude torso takes on the authority and bulk of sculpture. Before the onlooker, the model is gradually transformed...
...kept her courage and took long sojourns in New Mexico. But she never made a complete break. Shortly before his death at 82 in 1946, Stieglitz attended a Museum of Modern Art show and sent a love letter: "Incredible Georgia -- and how beautiful your pictures are . . . Oh Georgia -- we are a team." And so they remain in the public imagination...