Word: lovingly
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Dates: during 1980-1989
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Reece added that the carpet was aesthetically pleasing as well. "I love it. It's purple," he said...
...turned 'em loose, they turned into people," this song combines piano and the bata instrumentation of Milton Cardona, Marc Quinones and Jose Mangual, Jr. to reflect the stresses of opposing positive and negative forces. The ending fades into the distance with a melody pattern not unlike a top 40 love song that takes a sharp turn from the salsa; in the context of all the varieties on the album, however, it is thoroughly convincing...
...even though Fabulous Baker Boys is filled with familiar movie techniques and traditions, writer-director Stephen Klores does not overplay those old standbys. Jack and Suzie move through their "we're going to ignore each other even though we're madly in love" scene with style and grace. Jack and Frank play the bickering brothers to a tee, and they even manage to get into a not-half-bad food fight in their hotel room. (They call a cease-fire when Jack picks up a whole pineapple and warns his brother, "Don't tempt me." Talk about deterrance...
Klores avoids putting the two brothers into direct conflict over Diamond by making Frank happily married with children. The movie instead focuses on a battle for Jack's soul. On one side is Suzie, representing a passionate love of jazz, the extreme, the bold and the dangerous. On the other is Frank--safe, married, dependable, boring...
Much too late the film touches on Jack's desire for the extreme, his love for jazz's fire and passion. At the end we are unsatisfied with the resolution of Jack's (and Suzie's) hope for sublimity while living in the world of the mundane...