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Traditionally when people think of Boston films, a few are quick to come to mind: “Love Story,” “Goodwill Hunting,” and more recently “The Departed.” In each of these movies, there is a clear reason why Boston is crucial to the plot—Harvard, MIT, police brutality. But consider these movies: “Bride Wars,” “Paul Bart: Mall Cop,” and“Pink Panther 2.” Believe...

Author: By Andrew F. Nunnelly | Title: It Ain’t Always Sunny in Boston: Films Lie About City | 11/6/2009 | See Source »

Weezer used to be geek rock titans, singing charming love songs over mellow California-pop melodies. Their self-titled debut and sophomore album “Pinkerton” eschewed the oft gloom-ridden nature of early ’90s grunge and pop rock. In the years since, Weezer has released a series of disappointing albums that have driven the band more toward a radio pop direction. Their latest album, “Raditude” is the current apex of that progression. Weezer frontman Rivers Cuomo ’99-’06 is notorious...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

...over-the-top nature of “Raditude” undermines any attempts Weezer makes at deviating from their new-found direction. “Love is the Answer” is a failed attempt at semi-serious themes, embodied in lyrics such as “There will come a day / When we transcend our pain,” which seems out of place on an album of stories filled with teenage drama (cf. “The Girl Got Hot,” “In the Mall?...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

...rock. Elsewhere, album closer “Because of My Poor Education” continues this trend, though in a less gratifying way, beginning with a retro melody on piano similar to an overblown version of Lou Reed’s glam-rock ballad “Satellite of Love.” Turgid drums further ruin the song, often slowing down with decorative thumps better suited for melodrama...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Morissey | 11/6/2009 | See Source »

...tidier tracks is “Don’t Make Fun of Daddy’s Voice,” which first appeared as a B-side to the 2004 single “Let Me Love You.” Simple chord progressions on thick electric guitar begin the song and drop out during the verses, leaving a very simple bass line to take over. During the chorus, the guitar carries out one-noted solos with an inharmonious female voice in the back, creating a Pixies-esque mood. And yet, the song is so basic and predictable that...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Morissey | 11/6/2009 | See Source »

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