Word: lovingly
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Despite his situation, Frederic sings of his love for a good paradox, and the Harvard-Radcliffe Gilbert & Sullivan Players (HRG&SP) seem to share that affection. And, ultimately, it’s the way the Players handle these paradoxes with earnest delight and abundant charm that makes “The Pirates of Penzance” so irresistibly enjoyable...
Most enjoyable of all are a series of three magnificently overblown introductions that build up a cast of bombastic, magnetic supporting characters: Mabel, the Major-General, and the Sergeant of Police. Mabel (Bridget P. Haile ’11), Frederic’s love interest and daughter of Major-General Stanley, bursts onto the scene with a warbling, upper-register tour-de-force that—in addition to causing Frederic to visibly swoon—immediately captures Mabel’s simple-hearted desire to impress...
...character—which Nelson, either purposefully or not, imbues with a sense of weakness—but that is, perhaps, the point. Frederic—who stubbornly holds to his idea of duty even in morally complex situations—is essentially a feeble character, and only his love for Mabel begins to change that...
...nothing else, “Pirates” conveys that what makes a pirate is not his eye patch, but his love for the Queen. Similarly, what makes this rendition of “The Pirates of Penzance” is nothing more complex than its cast and crew’s sense...
...love playing girls...