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...1970s—but Malkovich’s performance turns him into a two-dimensional cartoon. For some reason, Buck’s old-timey routine fascinates Troy. “He was cheesy, no denying that, but he also seemed to have a timeless charm that the audience loved,” Troy says in voiceover as the camera captures different moments of Buck’s act. The film must rely on telling the audience how to perceive Buck, because it’s hard to see any of this purported “timeless charm?...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: The Great Buck Howard | 3/20/2009 | See Source »

...women.As Virgil wrote, “varium et mutabile semper femina,” or, “Woman is ever fickle and changing.” Boyle appears to be unable to shake his fascination with Maude Miriam Noel Wright, Wright’s third great love and second wife. Maude aggrandizes herself as the erstwhile “Belle of Memphis,” and by the time she meets Wright, her self-obsession has collapsed into pure solipsism, not without the help of a casual morphine addiction. “Yes, she’d hidden...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Novel Reveals Wright's 'Women' | 3/20/2009 | See Source »

More t-shirts that we (and you, hopefully) love to hate (and sometimes love!) after the jump...

Author: By Aditi Balakrishna and Maxwell L. Child | Title: The House T-shirt Awards, Part II | 3/20/2009 | See Source »

...Varda recognizes the importance of her humanity, of leaving some parts of the world out of the frame. “I’m not a maniac with a camera,” Varda said.“People know that I work out of affection, empathy and love,” she continued. “This is not fake. I’m interested in people. When I’m filming, I try to get something that I can catch. Every body has its beauty; everybody has some particularity, some specific thing that is interesting...

Author: By Mia P. Walker, CRIMSON STAFF WRITER | Title: Varda Brings Life to Oeuvres | 3/20/2009 | See Source »

...into one of the newest indie rock darlings can be attributed to the alluring quality of lead singer Harry McVeigh’s streamlined vocals. Yet, this ability doesn’t fully compensate for the shallow character of the lyrics, which rely almost exclusively on repetitive themes of love, death, obsession, and the occasional depression-induced suicide. The songs are morbid at best, and at their worst, such as in the slow ballad “Nothing To Give,” deathly boring. Space age glittery synth beats overwhelm straining vocals, but fail to mask what is clearly...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: White Lies | 3/20/2009 | See Source »

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