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...yakuza?while also playing the subversive clown prince version of all those cherished tough guys. Those phoned-in TV appearances are just the flip side of the stylized cinematic tough guy. Beat plays off the public's awareness of who he is. That farcical gangster on the set of low-budget TV shows is all the more lovable because he's the deadly gangster of big budget glossy feature films. In Japan, where no one wants to lose face, to have the aplomb to make fun of yourself is almost transcendentally bitchin'. "I suppose my film persona is somewhat...

Author: /time Magazine | Title: The Beat Goes On | 2/12/2001 | See Source »

Killer Films and New Line Cinema joined to give it a chance on the screen. "We thought it would be a really cool low-budget movie," says New Line's president of production, Michael DeLuca. "John said his inspiration [for the movie] was Bob Fosse, especially All That Jazz, and that was 100% on the right track." With a safe-bet budget of $5 million, Mitchell, 37, was allowed to star, write the screenplay and make his directorial debut. "I was bored with acting," explains the theater veteran, "and I had a lot of strong ideas I didn't want...

Author: /time Magazine | Title: Cinema: Sundance's Newest Kids | 1/15/2001 | See Source »

...last two must-see religious-themed Buñuel films draw their plotlines from actual historical events. "Simon of the Desert" (1965) is a low-budget production about a holy man who lives in a remote part of the desert, perched on a high pillar. The devil comes to tempt Simon, in the form of a sexy young woman (Silvia Pinal); for her final act, she shows this ascetic a vision of a modern day "black mass," taking him inside a noisy, sweaty, rockin' 1960s discotheque! "The Milky Way," Bunuel's final statement on Catholicism, is an episodic exploration...

Author: /time Magazine | Title: The Not-So-Discreet Charm of Luis Buñuel | 11/30/2000 | See Source »

...cultures and finding himself drawn to their sense of spirituality. He had started making short films at 10 and eventually went on to study filmmaking at New York University's Tisch School of the Arts. In 1992, at 21, Shyamalan wrote, directed and starred in Praying with Anger, a low-budget film about an American of Indian descent who goes to India. Five years later he made his first studio film, the comedy Wide Awake. It was a commercial and critical disaster. Discouraged, Shyamalan found his writing got "darker and deeper." The result was The Sixth Sense. Now Shyamalan thinks...

Author: /time Magazine | Title: Cinema: A New Day Dawns For Night | 11/27/2000 | See Source »

...cultures and finding himself drawn to their sense of spirituality. He had started making short films at 10 and eventually went on to study filmmaking at New York University's Tisch School of the Arts. In 1992, at 21, Shyamalan wrote, directed and starred in "Praying with Anger," a low-budget film about an American of Indian descent who goes to India. Five years later he made his first studio film, the comedy "Wide Awake." It was a commercial and critical disaster. Discouraged, Shyamalan found his writing got "darker and deeper." The result was "The Sixth Sense." Now Shyamalan thinks...

Author: /time Magazine | Title: A New Day Dawns for Night | 11/20/2000 | See Source »

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