Word: low-budget
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...says. “I still want to get the film out there and give it as much life as I can.” In addition, Chazelle says, “Guy and Madeline” acts as the stepping-stone for future projects, whether they are low-budget or Hollywood production. “I’d like to ideally do both because I don’t really see them as being mutually exclusive,” Chazelle says. “My interests in movies are varied, so I just want to make as many...
...Take Slasher, for example, Allison Moore's comedy about an Austin, Texas, waitress who gets picked to play the last girl killed in a low-budget slasher film. Moore shows a real feel for the milieu: the Austin independent filmmaking scene, where cowboy film geeks meet up with cheeseball Hollywood wannabes. The encounter in which the film's hack director (a brilliantly smarmy Mark Setlock) discovers his star, Sheena, in a Hooters-style hangout, enlists her for his film and promptly gets rolled by her in contract negotiations, is as sharp and modulated a satire of Hollywood hucksterism as anything...
Every now and then—perhaps in the midst of a bout of insomnia or perhaps with premeditation—we might indulge in the gory, campy, low-budget magnificence of the zombie movie. Ever since George A. Romero’s release of “The Night of the Living Dead” in 1968, the zombie movie genre has attracted a cult following all its own. Over the years, the slow-moving, heavily made-up zombies of the classic black and white horror films have transformed into the disease-crazed, CGI-enhanced undead of modern...
...Three years ago, Hill, who did a spell at the University of North Carolina School of the Arts, made the nervy low-budget martial-arts parody The Foot Fist Way; it managed a limited release in 2008 and grossed a meager $234,286. But the only people who really have to see it are producers looking for directors, and Foot Fist did get noticed. This was thanks in part to the movie's rising star (and co-writer and UNCSA classmate) Danny McBride, who enlivened last year's Drillbit Taylor, Tropic Thunder and the Rogen-starring Pineapple Express, directed...
...melancholy. Hiroko (Ayako Fujitani), the principle character of “Interior Design,” is the beleaguered girlfriend of an aspiring filmmaker, Akira (Ryo Kase), set with the task of finding a place for the couple to live. As Akira’s movie, an absurdly low-budget existential horror called “The Garden of Degradation,” gains attention and Hiroko’s role in the relationship becomes more and more marginalized, she begins to transform into—and finally becomes—a wooden chair. Able to transition between a human...